Godefroid: The Bastard Son of Antar Bin-Shaddad (2019)

Lecture Performance, approx. 1:15 hour

A story that jumps through time and across geographies brings the artist and her grandmother in Palestine, together with two well-known European personalities; Godefroid de Bouillon, known as the first king of Jerusalem, and the 16th-century painter Pieter Bruegel. Time collapses as we travel back and forth across millennia—from Jerusalem, to Brussels, to London, and back to Jerusalem. Following the non-linear hakawati structure of epic story-telling, personalities and images are playfully displaced and re-contextualized in a colonialist history. Using different forms of collage in both the narrative and the images, Hijawi tactfully invites us to look with her at how colonialism is deeply embedded in canonized European artworks.


This performance is part of a larger body of work entitled 'Chicken Scribbles and the Dove that Looks like a Frog' which explores the aesthetics of representation in artworks that allude to the political histories of Palestine through various media.

Produced by Kunstenwerkplaats Pianofabriek, and co-produced by Moussem, BOZAR (Chair Mahmoud Darwich), and KAAP, in Belgium; and supported by as the AM Qattan Foundation in Palestine, and the MMAG Foundation in Jordan.

A version of this work in progress titled 'Reflections on the Failures of the Letter H(eitch)' was presented in BOZAR, KASK, Chambres d'O  festival in Belgium, and the Mosaic Rooms in London.